I published a photographic book documenting my time and the friendships I built with a Himba family, whom I visited over a period of ten years.

Karin Retief
Storytelling has always been at the heart of who I am. I seek out the beauty of life, the resilience of communities and the wonders of the world around us. I have seen how stories can break down barriers, foster understanding, and inspire change. I choose stories that matter—stories that shine a light on humanitarian struggles, environmental challenges, and social issues that deserve attention.

NOMAD Home of the Arts & Life in Namibia
I am the creator of Life in Namibia (LIN) an online magazine and NOMAD Home of the Arts - a creative hub in Swakopmund.
The 80's
In the beginning..
I began my career as a junior press photographer for Die Volksblad in Bloemfontein. I remember my first day being handed two Nikon FM2’s – with drives—it was SO cool!
A highlight of my time at Die Volksblad was being sent to “the border”—then South West Africa (now Namibia)—where South African troops were fighting the Bush War. Our media group didn’t venture into any hot zones, but we visited army camps in Omega, Oshivelo, Ondangwa, and Oshakati. So I cannot say I was ever a war photographer as I was photographing bored, half-naked young men lying in the sun or playing cards in their tents—but for a 22-year-old, it was an unforgettable experience.
On the picture: I am using a Novoflex at a cricket match—a fully manual, long telephoto lens that you focused by pushing or pulling the grip. With its rifle-style handle, you were literally shooting!
The 90's
pre and post apartheid in south africa
The 90s were crazy and exciting—South Africa went from a police state to a rainbow nation. Being in the media then, documenting history in the making, was exhilarating, and I loved every moment. You never knew what each day would bring—whether it was 3 am covering a gang shooting, political mass protests, or a dog show.
I remember one particular day vividly: flying over the Winelands in an Air Force helicopter to cover a wildfire, only to hitchhike back with other photographers because we missed the extraction point—and then the first car broke down, so we had to hitch again! That afternoon, I found myself visiting the President at De Tuynhuys in dirty jeans, but just managed to clean up in time to slip into a “black number” and catch a play at the theatre. Sitting there, I thought: how could life get any better than this?
A highlight of the years working as a senior photographer at Die Burger was going on tour with the South African National Cricket Team when they played a five-day Test match against India in P.E. I was the official photographer for Media24.
I worked at Die Burger as the only female photographer for the first couple of years—until, thankfully, my dear friend Diane joined, and finally, the testosterone levels in the office dropped a notch. In the picture: Amore Bekker from a local radio station is interviewing Karin De Beer, Avril Fillies, and myself (check out the perm!).
Early 2000
Chief photographer at the cape times
After leaving Die Burger, I freelanced for a few years and then worked as Chief Photographer at The Cape Times.
This picture of Nelson Mandela and I was taken during my time at The Cape Times. We spent the whole morning with him as he visited various schools in the Western Cape. Being in the media meant you got the fabulous opportunity to meet interesting people—from film stars and musicians to living legends. Sometimes you stayed in five-star hotels, and sometimes you sat on the floor in a burned-out informal settlement.
Documentaries
I love shooting documentaries because they allow me to dive deep into real stories, capturing raw emotions, untold struggles, and moments of resilience. I always try to give a voice to those who might otherwise go unheard, shedding light on important social, environmental, and humanitarian issues.
The picture: On assignment for Operation Smile in Rwanda.
EXHIBITIONS
Through the years, I have held photographic exhibitions that focused mainly on social, cultural, or environmental issues. Here, with Keshi and her mother Hendria and Hendrian’s mother in the background, during opening night of Sister Tribe—a tribute to the women who have had a positive influence in my life.
Books published
beoyond ochre:my life with a himba family
MY COMMUNITY PROJECTS (old and new)

ICON PHOTO CLUB:
From 1997 to 2009, a group of passionate photojournalists set out to share the magic of photography with kids from a Mfuleni orphanage. We began with 20 eager youngsters, and though the group dwindled over the years, we’re proud that three of them became professional photographers. At its core, ICON was about empowering kids from underserved communities—offering job-shadowing experiences, educational outings, and hands-on guidance. Students showcased their work in exhibitions, and one standout, Masi, even published a photo book. We remember with love founding member Garth and student Whitey, whose spirits remain part of ICON’s legacy..

WASTE TO WONDER
is where senior unemployed women turn trash into treasure! This programme combines recycling, environmental awareness, and hands-on crafting, teaching how discarded waste can be transformed into beautiful art—and even small business opportunities. Beyond the creativity and entrepreneurship, it’s a fun-filled afternoon of stories, laughter, and camaraderie with fellow “oldies,” hosted for free at the NOMAD Centre every Friday from 2 to 5 pm.

THRIVE
Dedicated to uplifting young women through practical, creative, and career-focused skills. The programme provides peer to peer training in arts and crafts, computer literacy, business management, and basic marketing. These skills will equip participants with the confidence and tools they need to grow as entrepreneurs and strengthen their small businesses. .
Life in Namibia - print editions.
Life in Namibia
I created Life in Namibia – a lifestyle glossy magazine. I published six editions but had to move over to digital after COVID19.
I was responsible for overseeing every aspect of its production and distribution. This included sourcing compelling stories, securing advertising partnerships. I did the magazine’s layout using Adobe InDesign. I wrote, edited and photographed 90% of the stories. For photo editing I used Adobe Photoshop. Additionally, I liaised with freelancers and contributors, guiding their work to align with my editorial vision for LIN.
I shaped the magazine’s creative and visual direction, ensuring that each issue reflected LIN’s mission: to showcase the beauty, diversity, and inspiring stories of Namibia and Namibians in an inspiring and engaging way through compelling storytelling and stunning photography.

Pure Anomalies
In 2023, I sold my beloved Canon EOS-1V—the equipment had simply become too heavy to work with comfortably. Not long after, I found myself on holiday in Mozambique visiting my sister… without a camera. And that’s exactly where I discovered Midjourney! I fell head over heels for the freedom of it—suddenly I could conjure up anything, create mystical beings, and explore worlds without the strict ethical rules that guided my years in photojournalism. It felt utterly liberating. Find my Instagram page under pure_anomalies.
Some articles about my journey as a photographer and digital artist.





Contact me
If you’d like to contact me
I’d love to hear from you! Whether you have a question, want to collaborate, or just want to say hello, feel free to reach out. You can email me, send a message on WhatsApp, or connect via social media.
Email: karin.retief.media@gmail.com
Phone/WhatsApp: +264 816277692
Social Media: My Facebook
I look forward to connecting with you!